Senin, 17 Oktober 2011

[Q624.Ebook] Free Ebook How to Build a Floating Table, by Bryan D Blankenship Jr.

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How to Build a Floating Table, by Bryan D Blankenship Jr.

How to Build a Floating Table, by Bryan D Blankenship Jr.



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How to Build a Floating Table, by Bryan D Blankenship Jr.

Building a floating table illusion is easy, fun and economical with VanDoren's book. The easy to follow step by step instructions are enhanced with 66 Full color, instructional photographs, 6 diagrams and 2 templates. If you are a novice, this book will guide you through the easy step by step process to the completion of a beautiful and functional basic floating table. If you are more advanced, this book will show you ways to modify the design and construction to fit your particular needs and interest. If you are a magician or just love magic, you can build this quality illusion for about $50 and a little of your time. Building this floating table is a project that is just real fun and ends with a beautiful table that you will be proud to use in your magic show.

  • Sales Rank: #1856117 in Books
  • Published on: 2012-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .15" w x 8.00" l, .31 pounds
  • Binding: Paperback
  • 60 pages

About the Author
Bryan Blankenship, the alter ego of VanDoren the Magician, is an entertainer, magician, author, magic inventor and lecturer, who has performed his art around the world for 15 years, performing about 400 shows every year. Whether he is performing close-up or illusions, he brings a unique blend of comedy and magic to his performances. More information is available at www.vandorenmagic.com

Most helpful customer reviews

4 of 4 people found the following review helpful.
I loved it
By Horror Guy
I ordered this book and thought it was fantastic. It was well put together and very helpful when building my table. The templates were especially helpful and you can float this table 3 different ways. The author also encourages you to not go with the same ole method but to think outside the box when building it. It was very helpful and the book was well worth the purchase.

4 of 5 people found the following review helpful.
Shows you how to build a floating table
By richardg434
This book gives a very good explanation on how to build your own floating table. The plans provided are thorough yet a creative, imaginative craftsman could certainly use their own innovations.

1 of 1 people found the following review helpful.
Great value
By Kyle Lewis
This book is a terrific value and helps give you information to help in building tables of your own design. This book is worth much more than its listed price and it is a must for anyone interested in levitation magic.

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Jumat, 14 Oktober 2011

[X362.Ebook] Download Ebook No Longer Human, by Osamu Dazai

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No Longer Human, by Osamu Dazai

The poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas.

  • Sales Rank: #3948949 in Books
  • Published on: 1981
  • Number of items: 1
  • Binding: Paperback
  • 177 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Do I regret reading this one? Honestly, I'm not sure
By GraphicNovelReporter.com
Just so you know, when I first saw this book, I wasn't sure whether to pick it up and read or run like mad and not look back.

When we last left Yozo Oba, he had just fallen in love with a young girl named Yoshino. Now, one year later, they are married and living happily. Yozo's serial is going great, now getting a reprint, and possibly looking at a future anime release. He could not be happier - he's clean, sober (mostly) and his relationships are going smoothly with minimal friction.

However, the world of men is cruel, and the vices of men have just been biding their time to afflict Yozo. On the day of the Sumida River fireworks, he's all set to watch the fireworks with his wife and best friend, but Yoshino is nowhere to be found. He checks in the house, only to find his own editor raping her. That is where Yozo's stairway to Heaven turns back into the original downward spiral he was on in the previous volume.

Throughout the rest of the book, Yozo continues to suffer emotionally, particularly when he comes to the realization of why he did nothing when his editor was sexually assaulting his wife in her own home.

Things only get more disappointing for the reader as they are forced to watch Yozo make mistake after mistake with his body, his mind and his life in general. How does he end up in the end? Well, I'd rather not remember the image, because it is sad and devastatingly depressing beyond belief. The image itself may haunt my dreams for years to come.

Do I regret reading this one? Honestly, I'm not sure.

This book highlights some of the worst things that can go wrong in a young man's life before he even reaches the age of 30. Regardless, Usamaru Furuya did an amazing job re-creating Osamu Dazai's novel with such vivid detail and powerful imagery. Plus, the cover art is chillingly enticing, maybe even a little controversial, but that is, of course, only one man's opinion. Vertical has published it for American audiences so splendidly that I cannot help but tip my hat to them...if only I had one to tip.

Reviewed by David Gromer

2 of 2 people found the following review helpful.
Dark, Intense, Romantic, Intellectual.......Perfect.
By BiTeR
This volume is amazing, beautiful.
The darkness of the main character is so overwhelming that you can't help feeling identified with him. The intense situation happening at all moments, the romance, the huge experience in general is in a word: PERFECT!
Once you read this last volume and see how it ends, you probably will remember it for the rest of your life. It's depressing and leaves you with something to learn out of it.
A true masterpiece

0 of 0 people found the following review helpful.
Worth a read. But isn't the best
By Dakota James Spruell
This time in the second book. The dudes life gets even crappier and makes best with it ever since that girls suicide. And meets more women ( what a shock!!!!.......sarcasm). just read it. This book isn't life changing. It's interesting. And I don't feel like spoiling anything even though we know what's going to happen.

Side note: these manga read from left to right and are much smaller and thinner than average manga. But you already guessed that since this review is for the second book

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Jumat, 30 September 2011

[O921.Ebook] PDF Download No Flying in the House (Harper Trophy Books (Paperback)), by Betty Brock

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No Flying in the House (Harper Trophy Books (Paperback)), by Betty Brock

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No Flying in the House (Harper Trophy Books (Paperback)), by Betty Brock

A funny and fantastical novel about a young girl who makes a life-changing discovery about who she really is. Perfect for fans of The Tail of Emily Windsnap—or anyone who has wondered if they might have some magic in them.

Most little girls have parents to take care of them, but not Annabel Tippens. She has Gloria, a tiny white dog who talks and wears a gold collar. Annabel never thought it was strange that she had Gloria instead of real parents. Until one day a wicked, wicked cat named Belinda comes to tell her the truth—she's not just a little girl, she's half-fairy!

And she can do lots of things that other kids can't do, such as kiss her own elbow and fly around the house. But being a fairy isn't all fun and games, and soon Annabel must make a choice. If she chooses to be a fairy, she'll have to say good-bye to Gloria forever. But how can she decide between her newly found magic and her dearest friend?

  • Sales Rank: #76798 in Books
  • Brand: Harper Collins
  • Published on: 2005-08-09
  • Released on: 2005-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 5.25" w x .50" l, .24 pounds
  • Binding: Paperback
  • 144 pages
Features
  • No Flying in the House

From the Back Cover

Annabel Tippens seems like an ordinary little girl, with short blond hair and very good manners. But Annabel is actually quite unusual. Instead of parents, she has Gloria, a tiny white dog who talks and wears a gold collar. Annabel never wonders why her life is different, until one day a cat named Belinda tells her the truth -- she′s not just a little girl, she′s half fairy! But now that she knows the truth, will her whole life have to change?

About the Author
Betty Brock is the author of several books for young children. She has two grown daughters and lives in Alexandria, VA.

Wallace Tripp has illustrated many books for children, including Come Back, Amelia Bedelia. He lives in California.

Wallace Tripp studied at the Boston Museum of Fine Arts. He has illustrated more than fifty children's books. Mr. Tripp and his wife run a greeting card company in Peterborough, New Hampshire. They have three children, two dogs, and two cats.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Can you kiss your elbow?
By KidBookFan
Annabel Tippens can. And she's been told that means she's a fairy. Is she?

This was one of my favorite books as a kid, purchased through one of those Scholastic or Weekly Reader flyers. When my daughter got old enough for it, I dug up a copy, thrilled it was still in print. She loved it too, going around for a while trying to kiss her elbow. The story is timeless and whenever we visit an antique store (or, more often, flea market), we keep a lookout for the cat.

I think this would be a great book for a reluctant reader up through probably third grade or even older.

0 of 0 people found the following review helpful.
Timeless and Lovely
By Seattlerain
I have a long history with this book. Back in 1984, when I was 8 years old, my sweet 2nd grade teacher read her first edition copy to our class. I fell in love with the book. I eagerly went to our library to check it out but could not find it anywhere. Back then Amazon did not exist so I was limited to second hand bookstores and garage sales. To an 8 year old child with a book obsession this did not do. Suffice it to say, I stole the book from my teacher (sorry Mrs. Meyer!) and although I read it again on my own, I forever felt guilty every time I looked at that book. I eventually loaned it permanently to someone in my 5th grade class. I never forgot the book however, and stumbled across it in a thrift store as a young adult. I lovingly reread it and then read it to all of my children as they came to the right age. My oldest son especially adored it and even recreated the golden cat for a project in school. I cannot stress what a wonderful little gem this is. The language is beautiful and not dumbed down. It offers something to young children no longer found in kids' books. It is magical and fantastical. While I do feel slight nauseousness every time I see the original cover of the one I found in the thrift store, harkening me back to my thieving moment, I love that this fresh update and cheap price means it can be loved all over again by other children. Buy it for your child and read it aloud together. You will not regret it.

2 of 2 people found the following review helpful.
I loved it in elementary school and I still love it!
By Melissa Miller
My daughter and I recently read this book together. I remember checking it out from the library at least twice when I was a little girl and wishing that I could be a fairy too. This is a fantastic story for little girls. My daughter is 8 years old and was totally engrossed in the story. She could read it herself but we really enjoyed reading it together. It is a lovely story about friendship, family, and fantasy.

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Jumat, 23 September 2011

[W985.Ebook] PDF Ebook An Invitation to Old English and Anglo-Saxon England, by Bruce Mitchell

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An Invitation to Old English and Anglo-Saxon England, by Bruce Mitchell

In the six centuries before the Norman Conquest, the Anglo-Saxons set their mark on England: the origins of much that is distinctive in modern English culture may be found in the period, most notably the English language itself. This outstanding book is an introduction to Old English language and literature set within the context of Anglo-Saxon history and society -so arranged that the one constantly illuminates the other.

Parts I, II, and V aim to provide the reader with an understanding of, and in particular the ability to read, Old English. Drawing on over four decades of teaching experience, the author proceeds in clear, manageable steps. He stresses the 'Englishness' of Old English, guides the reader through possible difficulties, and illustrates each point with examples.

Part III presents a wide-ranging account of Anglo-Saxon England. A description of the literature is followed by a brief history of the period, made vivid through a series of extracts from the Anglo-Saxon Chronicle. The author draws on the latest archaeological and historical research to describe arts, crafts, and occupations, from weapons, coins, textiles, and jewellery to ship-building, architecture, and sculpture.

In his account of town and country life, of warriors, farmers, and entertainers, Bruce Mitchell shows the impact of Christianity on a heroic society, in which both men and women played important roles. This impact created a tension that is frequently apparent in a representative selection of fifty-one prose and verse texts provided in Part IV. Each of the texts is introduced and placed in context, and footnote annotations explain points of difficulty.

The book is illustrated with maps, line drawings, and photographs. It has a guide to further reading and full indexes, and concludes with a glossary tailored to meet the needs of those encountering Old English for the first time. The author's aim is to allow the reader both to understand Anglo-Saxon society and to experience the richness of its literature and culture. He will be found to have succeeded.

  • Sales Rank: #1120544 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 1994-12-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.25" w x 6.00" l, 1.44 pounds
  • Binding: Paperback
  • 448 pages
Features
  • Used Book in Good Condition

Review
"An Invitation to Old English and Anglo-Saxon England is a scholarly yet popular work that introduces us to Old English and its historical and social environment." History of Language

From the Back Cover
In the six centuries before the Norman Conquest, the Anglo-Saxons set their mark on England: the origins of much that is distinctive in modern English culture may be found in the period, most notably the English language itself. This outstanding book is an introduction to Old English language and literature set within the context of Anglo-Saxon history and society -so arranged that the one constantly illuminates the other.

Parts I, II, and V aim to provide the reader with an understanding of, and in particular the ability to read, Old English. Drawing on over four decades of teaching experience, the author proceeds in clear, manageable steps. He stresses the 'Englishness' of Old English, guides the reader through possible difficulties, and illustrates each point with examples.

Part III presents a wide-ranging account of Anglo-Saxon England. A description of the literature is followed by a brief history of the period, made vivid through a series of extracts from the Anglo-Saxon Chronicle. The author draws on the latest archaeological and historical research to describe arts, crafts, and occupations, from weapons, coins, textiles, and jewellery to ship-building, architecture, and sculpture.

In his account of town and country life, of warriors, farmers, and entertainers, Bruce Mitchell shows the impact of Christianity on a heroic society, in which both men and women played important roles. This impact created a tension that is frequently apparent in a representative selection of fifty-one prose and verse texts provided in Part IV. Each of the texts is introduced and placed in context, and footnote annotations explain points of difficulty.

The book is illustrated with maps, line drawings, and photographs. It has a guide to further reading and full indexes, and concludes with a glossary tailored to meet the needs of those encountering Old English for the first time. The author's aim is to allow the reader both to understand Anglo-Saxon society and to experience the richness of its literature and culture. He will be found to have succeeded.

About the Author
Bruce Mitchell is Fellow Emeritus of St. Edmund Hall, Oxford. His books include A Guide to Old English written with Fred C. Robinson (fifth edition, 1992), On Old English (1988), and the two volume Old English Syntax (1985). He is currently working with Fred C. Robinson on a new edition of Beowulf.

Most helpful customer reviews

46 of 46 people found the following review helpful.
Who's Afraid of Beowulf?
By Douglas Harper
If you're fascinated by English literature and language in general, as I was, but intimidated by the obscure vocabulary and inflections of "Old Anguish," this is your book. It's not a "for Dummies" manual, but it's more reader-friendly than a college text. It introduces all the fundamentals of the language, along with an overview of the culture that produced the tongue. It overlaps the more formal text, "Guide to Old English" (by Mitchell & Robinson) in some places word for word, but "Invitation" is much more chatty and fun. Mitchell's love for Old English is infectious, as is his conviction that it's not as hard to learn as it looks. By the time I was finished, I had a good beginner's command of Old English and a thirst to learn more.

42 of 42 people found the following review helpful.
An outstanding book.
By A Customer
As a student of various languages, but a newcomer to the study of Old English, I found this book an unintimidating but, nevertheless, comprehensive and in-depth introduction to the language. Mr. Mitchell begins by tracing the origins of our erstwhile obscure tongue, which has attained the status of a latter-day Latin in terms of its widespread use by native and non-native speakers alike in numerous environments. Unfortunately, many or most native speakers of English have little or no knowledge of the language in its earlier forms. I would recommend this book to anyone wishing to enrich his own knowledge of the language through the study of its roots. It is a study not only of language, but history as well, a point which Mr. Mitchell highlights in such a way as to make this "dead" language come alive. The author grabs the attention of the reader from the first page, more than I thought possible in a didactic book which, of necessity, must teach the rudimentary elements of grammar, and manages to keep it even through the introduction of paradigms. This is in part due to his success in introducing these paradigms in the context of the language in use, as opposed to in uninterrupted pages of dry, grammatical tables which I have found in many other books. Already in the foreword, Mr. Mitchell has begun to give the reader a feel for the language by quoting simple passages and providing literal translations for them. An excellent introduction, and invitation, to a fascinating language, foreign and yet strangely familiar.

20 of 20 people found the following review helpful.
A really interesting book!
By Jesse Williamson
It's been hard work, but I've put in some elbow grease and made it.
A very readable introduction to Old English language, culture, art, and society. Nearly every aspect of Anglo-Saxon life is touched on, supported with carefully cited sources (usually primary), and a good selection of illustrations. The author's sincere passion for Old English always comes through, and he's very good about encouraging the student. When things are going to be a little hard, you're warned that you've got to just slog through it, and you are guided down the path.
Another nice thing about this book that should be pointed out is that it has a lot to offer people who aren't especially interested in learning Old English, but instead more engaged by the culture and life of the Anglo-Saxon people. Mitchell's expositions are fascinating and feature copious examples from both academic literature and primary sources. You don't need to know a lick of Old English to learn a lot from this book!
I would have appreciated a few touches, however. My primary complaint is that the translations often weren't literal enough. While this made them readable, I had to very frequently second-guess the translations while trying my hand at my own, and would have liked more chances to test my work directly to be sure I was on track. I'm not convinced that, especially in the discussions of language directly, I wouldn't have had an easier time with klutzier and more literal examples.
I'd also like to see all-color plates, in a future edition.
All said and done, this was an immensly satisfying process-- I'm not adept at Old English (one never learns a language all at once anyway, and let's face it: how on Earth do you get any practice if you're not in school? Nevermind what the Masters at Oxford do deciding just /how/ to inflect a long-dead tongue), but with every increase in comprehension I felt my understanding of both modern English and German considerably enhanced.
Above all, this was for me-- for now a hobbyist-- exactly the thing I wanted for some self-study. It might be that for you, too. I assure you that the first time you get a snip from Beowulf just right, it will put a big smile in your heart.

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[I469.Ebook] Fee Download Conducting for a New Era, by Edwin Roxburgh

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Conducting for a New Era, by Edwin Roxburgh

Conducting for a New Era fills in a lacuna by offering guidance and practical advice for conducting twentieth-century and contemporary repertoire. The book begins with a look at the development of the art of conducting during the first half of the twentieth century. Distinctions are made between conductors who pursued populist careers and those who established the foundations for the new art form of the twenty-first century. The book goes on to discuss the technical resources required to negotiate the rhythmic complexity of so much music composed since 1950. Beginning with the rhythmic revolution created by Stravinsky in Le Sacre du Printemps (in which conducting unequal units within single bars was introduced), ten different categories of music are featured in an analysis of the technical and aesthetic characteristics involved. The substance of interviews with distinguished soloists,orchestral musicians, conductors and composers is examined in assessing the changing role of the conductor in the twenty-first century. In a final section the technique and artistry of the progressive repertoire is discussed through detailed analysis of specific scores. Conducting for a New Era will be of interest not only to advanced students of conducting, in particular conducting of contemporary music, but also to the music enthusiast who might wish to know 'how it is done'. The book includes a DVD with conducting examples.

  • Sales Rank: #1847910 in Books
  • Published on: 2014-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 7.25" w x .75" l, .0 pounds
  • Binding: Hardcover
  • 235 pages

Review
Young conductors, especially, should regard this wonderfully clear book as something akin to a musical bible, and for music lovers who are intrigued by how problems in complex new music . . . can be overcome -- and, in the process, enhance their understanding of what the composer is trying to get across, the accompanying DVD is a godsend. In this very important book, theory meets practice, and we are all the better for it. INTERNATIONAL RECORD REVIEW Young conductors, especially, should regard this wonderfully clear book as something akin to a musical bible, and for music lovers who are intrigued by how problems in complex new music . . . can be overcome -- and, in the process, enhance their understanding of what the composer is trying to get across, the accompanying DVD is a godsend. In this very important book, theory meets practice, and we are all the better for it. INTERNATIONAL RECORD REVIEW

About the Author
EDWIN ROXBURGH is a composer, conductor and oboist and visiting tutor and researcher at the BCU Birmingham Conservatoire. Recordings of hismusic are on NMC, Naxos, Warehouse, Oboe Classics and Metier labels, and his music is published by United Music Publishing, Ricordi and Maecenas. As a conductor he has premiered a vast number of works, originally with the Twentieth Century Ensemble of London, which he founded, and later with several of the principle orchestras of the UK.

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Kamis, 22 September 2011

[R763.Ebook] Fee Download Marcella, by Marilyn Coffey

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Marcella, by Marilyn Coffey

Marcella has stumbled into puberty. She’s grown too old to play with toys but is still too young for boys. Songs, Christianity, and curiosity at her changing body fill her time. She practices the piano, talks to her God and, alone in her bedroom, she explores. “At first she didn’t allow it very often, only once every two or three nights, but gradually she let herself...oh, every night, after she’d said her prayers.” Then she finds out there’s a name for what she does, that it’s a bad thing to do, and that God prohibits it, even though it feels so delightful... Marcella is the candid and unrestrained story of a school girl and her emotions, of the war of an innocent morality with a grown-up sexuality, plus all the bewilderment of dread, inexperience, and shame she experiences as she battles her way into womanhood.

  • Sales Rank: #5747720 in Books
  • Published on: 2012-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .59" w x 6.00" l, .77 pounds
  • Binding: Paperback
  • 234 pages

About the Author
Hi! Just so you know,�my books and poems are either nice--or naughty.�My nice books are histories of the truly amazing Great Plains, including the Orphan Trains and county seat wars.�Sex rears its head in my naughty works.�Plus I think I should tell you that I'm a personal writer. I don't write much that doesn't have an intimate feeling to it, that isn't centered, in some way, on my history. My life began in Alma, a tiny town in south central Nebraska, where I was born and raised. As I lay in bed, listening to my mother read me to sleep,�I fell in love with words. Mom read oodles of books to me. My favorite was "The Farm Twins" by Lucy Fitch Perkins. When I turned eleven years old, I decided to be a writer.

At twenty-one, I graduated from the�University of Nebraska with a journalism degree.�Then I read Jack Kerouac's "On the Road." Struck with the travel bug, I set out, saw Denver, New Orleans, San Diego, Portland, and New York.�I lived in New York City for thirty years,�where I taught writing at Pratt Institute, and earned a degree in creative writing from Brooklyn College.�

Now I'm back in Nebraska, located in Omaha. I'm a retired professor doing what I love best: writing full time. When I'm not pounding away at my computer, I can usually be found reading, pulling weeds, talking to my cat, or hanging out with my partner, Jack Loscutoff, also a writer. I have become an award winning and internationally published writer of poetry and prose who has written�six books, six hundred poems, and hundreds of articles and stories.�My awards include�a national Pushcart Prize for my poem called "Pricksong,"�a Master Alumnus award for distinction in writing from the University of Nebraska, and the National Orphan Train Complex's Special President's Award for my biography,�Mail-Order Kid. My "naughty" book,�Marcella,�is the first novel written in English that uses autoeroticism as its main theme.�My writing has appeared in Australia, Canada, Denmark, England, India, and Japan.

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1 of 1 people found the following review helpful.
Marcella...Oh, dear Marcella!
By R. Russell Bittner
Almost from the outset, Marilyn Coffey's MARCELLA put me in mind of Carson McCullers's MEMBER OF THE WEDDING. In that novel, McCullers's principal character, Frankie Addams, is roughly the same age as Marcella and wrestles with many of the same demons. And although both stories are sadly revelatory of the inner contortions a girl must pass through on her way out of childhood and into adolescence, this is where the similarities end.

Coffey's character (the eponymous Marcella) is more explicitly drawn--perhaps indicative of the age in which we live and of what a writer can now permit herself to express in print. I should perhaps mention, however, that what I've just read is the 40th Anniversary Edition. Given that Marcella first appeared in 1973, I'd venture to say that Coffey was way ahead of her time.

The backdrop of Marcella Colby's story--her younger sister, Lucille, her parents, her home life in general--suggests a sterile field in which anguish and obsession would inevitably take root and flourish. While a sympathetic reader might wish for a mother (the father almost doesn't bear mention--and so, Coffey gives him short shrift) whose same gender, at least, would render her a willing partner in Marcella's awkward passage through early adolescence, all we get is a wooden prop, a virtual cipher. Marcella's mother is, in short, deadwood -- and Marcella is consequently set adrift to find her own emotional moorings.

At the prompting of a school acquaintance, Marcella happens to wander into a church. Not just any church, mind you, but an Evangelical church. Her epiphany -- this day and this place in which she is "saved" by a certain Brother Morgan and his retinue -- only serves to contort her mind further and to make her entirely beholden to an all-seeing, all-knowing God. It is, moreover, Marcella's now fervent belief in this omniscient and omnipresent Being that drives her, by degrees, deeper and deeper down into a cauldron of shame for what she feels is a blasphemy of the most heinous and despicable sort: the discovery, through masturbation, that she is a sentient being. Unfortunately, however, and in the absence of someone to tell her differently, she can conceive of her masturbation only as a "filthy, perverted habit" (p. 192).

Enter Brother Morgan (aka "Big Jim") once again--but now as what Marcella perceives to be an almost heaven-sent guide, protector and trustworthy confidant. Their communication opens in letters that Marcella is only too happy to write--frequently, imploringly, keeping almost lockstep pace with her autoerotic sessions--and leads to an invitation to spend a couple of weeks far from home at a camp for young Christians. Brother Morgan indeed delivers. But what he delivers in the form of temporary relief and happiness is something those more world-weary readers among us will likely find suspect from the get-go. I, for one, wasn't in the least surprised when, on the occasion of a one-night sleep-away at the conclusion of Marcella's two-week stay at "Big Jim's" camp in Colorado, the absence of his wife, May, and the absence of a sleeping bag for Marcella quite predictably led to Brother Morgan's laying on of hands (please excuse the obvious double entendre).

Marcella returns home the next day--not precisely deflowered, but spiritually and emotionally debauched.

Is MARCELLA in any sense a didactic story? Is this novel a Bildungsroman of the sort that was once so popular in German literature? Only in the sense that we, as readers, can feel the anguish of Marcella and wish -- as she does at one point late in the story -- that it might somehow be possible to turn the clock backwards. Turn it backwards--or force it to jump ahead to a point where Marcella will no longer be demonized by her own fingers and tormented by the knowledge that she may be less than "a perfect Christian" (p. 191).

I'll now resist the temptation to describe the final chapters of Marilyn Coffey's novel. Better you should read it for yourself to discover Marcella's fate. What I will say by way of conclusion, however, is that the forty years of social progress we've enjoyed since this novel's first appearance made much of it feel almost medieval in its depiction of character and event. Let's hope that by the time the 80th Anniversary Edition appears, some of those same characters and events will feel positively pre-historical.

0 of 1 people found the following review helpful.
Controversial, insightful, pure Marilyn
By Sandra Wendel
The revival of a 40-year-old book that should have been a classic in its time (but was well before its time) and never received the recognition it deserves. Now the world is ready for Marcella's juvenile insights, and Marilyn Coffey strips her soul bare in a literary gem.

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Selasa, 20 September 2011

[H577.Ebook] Get Free Ebook Beyond The Grave (The Ministry of Curiosities Book 3), by C.J. Archer

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Beyond The Grave (The Ministry of Curiosities Book 3), by C.J. Archer

At the request of Lady Harcourt, Charlie and Lincoln begin searching for her missing stepson. Still recovering from her ordeal at the hands of a diabolical villain, Charlie is supposed to be resting. But resting is dull, so she throws herself into the task at hand, much to Lincoln's frustration.

The search leads them down a dark path littered with family secrets and titillating scandal. Using her necromancy to expose those secrets, Charlie unwittingly raises a spirit with the power to override her control. With a dead body on the loose in London, Charlie and Lincoln must work together to send it back before havoc is unleashed, and the committee members find out.

Because if they do, they will have more ammunition in their fight to send Charlie away from her home and everyone she loves.

  • Sales Rank: #6945 in eBooks
  • Published on: 2015-11-24
  • Released on: 2015-11-24
  • Format: Kindle eBook

About the Author
C.J. Archer has loved history and books for as long as she can remember and feels fortunate that she found a way to combine the two. She has at various times worked as a librarian, IT support person and technical writer but in her heart has always been a fiction writer. Her first historical fantasy series, THE EMILY CHAMBERS SPIRIT MEDIUM TRILOGY, has sold over 45,000 copies and garnered rave reviews.

C.J. spent her early childhood in the dramatic beauty of outback Queensland, Australia, but now lives in suburban Melbourne with her husband, two children and a mischievous black & white cat named Coco.

Subscribe to C.J.'s newsletter to be notified when she releases a new book, as well as get access to exclusive content and subscriber-only giveaways. Join via her website: cjarcher.com

She loves to hear from readers. You can contact her through email cj@cjarcher.com or follow her on social media to get the latest updates on her books:

- Facebook: facebook.com/CJArcherAuthorPage
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- Goodreads: goodreads.com/author/show/4615377.C_J_Archer

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3 of 3 people found the following review helpful.
Excellent
By Stacy Smith
I have loved everything this author has put out, but this series is my favorite by far. I have been counting down the days for the release and it did not disappoint. Just the right mixture of mystery, romance, and adventure.

1 of 1 people found the following review helpful.
4.5 stars for another interesting ride!
By 3341
I really enjoy this series. The writer is excellent at making you really care about these characters. There is little to no romance but what there is adds to the storyline. With each book I am more curious about our main characters back stories and their abilities. It's another series that just keeps getting better and better.

1 of 1 people found the following review helpful.
Better and better
By Amazon Customer
This series just gets better and better! I absolutely love this series. I love the setting, the time base, and slow story of Lincoln and Charlie. Usually in a series I get fairly bored with the same characters by the fourth book but the peace is great and totally keeps me enthralled. Thanks for the wonderful adventure C J.

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