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You Too Can Have a Body Like Mine: A Novel, by Alexandra Kleeman
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An intelligent and madly entertaining debut novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation.
A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That’s My Partner! A eats (or doesn’t) the right things, watches endless amounts of television, often just for the commercials—particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket’s entire, and increasingly ample, supply of veal.
Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C’s pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.
- Sales Rank: #203181 in Books
- Brand: Alexandra Kleeman
- Published on: 2016-08-09
- Released on: 2016-08-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .68" w x 5.31" l,
- Binding: Paperback
- 304 pages
- You Too Can Have a Body Like Mine
Amazon.com Review
An Amazon Best Book of September 2015: Alexandra Kleeman’s mind-bending debut, You Too Can Have a Body Like Mine, is intoxicating and hallucinatory, full of meditations on food, beauty, relationships, TV and above all, the human body. Get ready to read exquisite, disquieting sentences about your body – “a mouth was a means into a person, but it also offered one of the neatest ways out” – and explore how our consumerist culture dissolves our individual boundaries and makes us hunger to be the same. It’s a strange, surreal world that the three main characters live in – a sort of hyper commercialized and flattened pop-culture world, where employees at the grocery store wear foam heads to appear like their mascot and dads disappear, where TV is watched for commercials and cults run by franchises “believe the quickest route to self-improvement is self-subtraction,” and where food takes on a whole new meaning. The co-opting of identity is at stake in this trippy, incredibly smart novel, yet never has the human body been explained with such intensity, acuity and revelation. Alexandra Kleeman’s ambitious debut will make you crave whatever she writes next.--Al Woodworth
Review
“The smartest, strangest novel I’ve read in a while.” (Paris Review, Staff Pick)
“This debut novel by future superstar Alexandra Kleeman will be the thing to be seen reading this summer. Pick it up if you want to up your summer cool factor . . . . .Very funny, perfectly weird, a hyperintelligent commentary on a culture obsessed with you and fame.” (Vanity Fair)
“A clever satire of our culture’s ever intensifying obsession with health, diet, and body image.” (Los Angeles Magazine)
“Alexandra Kleeman has written Fight Club for girls.” (Vogue.com)
“You Too Can Have a Body Like Mine is a powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation.” (New York Times Book Review)
“The symbols of modern anomie in this novel are familiar (soulless supermarkets, insane mass entertainments, etc.), but Ms. Kleeman has a singular, off-kilter style, and a distinct vision of the absurd horrors that can come with being trapped in a body.” (New York Times)
“Kleeman’s debut novel is a fever dream of modern alienation. . . . not really like any other, but could be described as a blend of the nightmarish disassociation of DeLillo’s White Noise and the phantasmagoria of Bergman’s Persona. A challenging novel, but undoubtedly one with something to say.” (Publishers Weekly (starred review))
“Excellent . . . Sprinkled with detailed summaries of invented advertisements, the book describes a consumer landscape just on the far side of plausible. You Too Can Have a Body Like Mine is a story about realizing you’re hungry and trying to find out what for.” (Slate)
“Her darkly satirical debut lays bare the ravages of advertising-fueled culture and consumerism, through a purposefully distorted version of our reality. Fans of DeLillo, Pynchon and Shteyngart are advised to take note.” (Huffington Post)
“This is not a breezy summer read, but it’s cerebral, sharp, funny - and worth the ride.” (New York Post)
“Kleeman plays with an idea of empathy so extreme that it collapses on itself: What if there is no essential difference between humans worth bridging? The result might be an insatiable hunger for something that reminds us of our distinctness.” (The Atlantic)
“Alexandra Kleeman’s brilliant debut novel You Too Can Have A Body Like Mine is at once eerie and strange and beautiful, an incisive commentary on contemporary culture and womanhood.” (Buzzfeed)
“Don’t be fooled by the sassy title-the cravings that lurk beneath the surface in this completely original debut will haunt what a body means to you indefinitely.” (Marie Claire)
“A satirical and searing critique of modern-day womanhood.” (Chicago Tribune)
“Funny yet chilling...might make you see the mundane routines of everyday life a little differently.” (New York Magazine, 10 Books We’re Reading Right Now)
“Kleeman is, clearly, writing in a postmodernist mode. Her ambition is huge, and, at the level of the sentence, she’s amazing.” (Kirkus Reviews)
“At once eerie and strange and beautiful, Alexandra Kleeman’s brilliant debut novel You Too Can Have a Body Like Mine immediately distinguishes itself with its originality and unique voice.” (Buzzfeed)
“Absurdist observations evoke masters like DeLillo and Pynchon, as well as the “hysterical realism” of Ben Marcus and Tom Perrotta, bringing a refreshingly feminist frame to the postmodern conversation. While ambitious in scope and structure, sharp humor and brisk storytelling ground the existential angst in Kleeman’s page-turning, entertaining performance.” (Booklist)
“Alexandra Kleeman’s debut novel is brilliant, incisive, and exactly how to send off summer with a bang. Written masterfully, You Too Can Have a Body Like Mine is a biting cultural indictment on what we see, think, do, and eat — especially while being a woman.” (Bustle)
“Writing in the same tradition as writers like DeLillo and Pynchon, writers who can take the world and shift it so that it to reveal all of its innate strangeness, Kleeman has crafted a darkly funny and deep cutting novel.” (AskMen.com)
“My strong preference would be to eat this book and be reconstituted by its intelligence. But with deep gratitude still I will settle for just getting to read this ingenious novel which has eaten up our whole culture…and transubstantiated it into wry, brilliant, undeniable literary truth.” (Rivka Galchen)
“Alexandra Kleeman is one of the sharpest and smartest young writers I’ve read - ambitious, promising, brilliant. She can be strange and very funny as well, and when I read her work I have the strong suspicion that I’m reading the literature of the future.” (Ben Marcus)
“Captivating and full of gorgeous perversity, the insights and wit of You Too Can Have a Body Like Mine dissolved almost everything I thought I knew about being a body.” (Catherine Lacey)
“As incisive about our dark cultural obsessions as she is compassionate towards the individuals who fall prey to them, Alexandra Kleeman is a terrifying and elegant talent you will not soon forget.” (Kathleen Alcott)
“A brilliant and strange portrait of dystopian consumption--of food, television, and one another--YTCHABLM would be purely unsettling if it weren’t also so gorgeously written and funny. Thankfully, we too can have a mind like Alexandra Kleeman’s, or the simulacrum of it, through this stupendous debut.” (Teddy Wayne)
“Eerie and resonant, Alexandra Kleeman’s riveting novel grapples with the essential creepiness of living in human skin. Like watching a body horror film, the experience of reading this book disassembles the familiar and makes everything new and strange. You might never eat another orange.” (Emily Gould)
“We live in a reality so sick and absurd already that satire has a hard time one-upping it, but Kleeman has done so in a way that is at once moving, haunting, hilarious, and surpassingly strange. It’s a novel about starvation that I read with voracious hunger.” (Benjamin Hale, author of The Evolution of Bruno Littlemore)
From the Back Cover
A San Francisco Chronicle Best Book
A Huffington Post Best Fiction
A Bustle Best Debut
A Lithub Best Book
A woman known only as A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality dating show called That’s My Partner! A eats (or doesn’t eat) the right things, watches endless amounts of television, often just for the commercials, and models herself on a standard of beauty that exists only in such advertising.
Meanwhile, B is attempting to make herself a twin of A, who in turn hungers for something to give meaning to her life, something aside from C’s pornography addiction.
Alexandra Kleeman’s unforgettable debut is a missing-person mystery told from the point of view of the missing person—an American horror story that concerns sex and friendship, consumption and appetite, faith and transformation, real food and reality television.Most helpful customer reviews
3 of 4 people found the following review helpful.
Disappointed
By Cristina
Each chapter reads like a clumsy response to a "creative writing" prompt for a semiotics course: "write a short story based off delueze's concept of the ____"
7 of 10 people found the following review helpful.
clever and amusing
By Lori
Well done, Alexandra Kleeman. In the beginning I thought this was going to be more millenial navel-gazing nonsense. But the more I read, the more I began to like and admire this tale of a strange and very creative dystopian world where A is obsessed with her body, inside and out. Not difficult to see why in a world where Tru Beauty cream is edible to make you beautiful inside and out, and the commercial features a model opening the jar to find a live dove and swallowing it. Hunger, on the other hand, because everything is twinned here, is most creatively seen through Kandy Kat, a cartoon character obsessed with Kandy Kakes, a food which contains no food at all, and what starts out as a Wile E. Coyote situation stops being funny when Kandy Kat begins literally starving to death, his fur falling off in the latest batch of commercials. The Church of the Conjoined Eater may have been inspired by Scientology but it's even weirder; members wear white sheets with holes cut out so they are indistinguishable and the highest attainable level is that of living ghost. And then there's all those men who are victims of Disappearing Dad Syndrome --
"Then last January dads started turning up, one by one. Good Samaritans found them wandering dazed in shopping malls five towns over, malls that were not their own but resembled their own to an uncanny degree. They would return to familiar stores like the Gap and try to buy khakis with little scraps of paper that they had collected from obscure places"
-- and the supermarket chain Wally's (the descriptions of which are hilarious) where the employees wear oversized masks so every Wally looks like every other one. Kleeman has to be riffing off the Wally World in National Lampoon's "Vacation" by creating its equivalent in a supermarket, where food shopping has become pilgrimage, where food is hanging from the chandeliers in ever-changing combinations, where food shopping promises to be a perfect experience but is anything but, and where the food is ultimately unattainable. The character of A engages in constant navel-gazing but some of that is actual navel-gazing; as in navel oranges. It's clever and amusing. All in all, a creative and interesting book.
4 of 7 people found the following review helpful.
I really liked reading this
By Ladybug
I really liked reading this. Seems (based on a skimming of reviews) that it's pretty divisive. I like George Saunders, Miranda July, Lorrie Moore, Amy Bender, Mary Gaitskill...so if you like those folks, maybe you'll like this. If you read a lot of Nicholas Sparks or whatever, prob not. I think Kleeman will only get better. Other books in this vein: Green Girl by Kate Zambreno and Eileen be Otessa Moshfegh.
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